Материал из ЭнциклопАтис
| Ryzom | Gameplay | Roleplay | кодекс | Сообщество | Forge | Небольшой глоссарий |
Справочный текст ( Сохраненный текст, используется как ссылка ) :
Примечания : (Zorroargh, 2022-05-22)
Небольшой глоссарий
Справочный текст ( Сохраненный текст, используется как ссылка ) :
Примечания : (Zorroargh, 2022-05-22)
В категории "Маленький глоссарий" собраны простые слова, используемые в стиле Атис, повседневные слова, слова для понимания, чтобы не создать впечатление, что выпил слишком много ликера "Шуки".
См. также Словарь терминов ролевых игр.Замечательные страницы
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Reference text ( Maintained text, used as reference ) :
Notes: (Dorothée, 2020-07-16)
- Luciography: "name"; Image capture technique invented by Paera Ama Din Covee allowing to capture in an almost instantaneous and in color everything that the homin sees in almost any situation. The discovery was published in a 2525 AJ article in "la Nouvelle Feuille d'Atys" ("the New Atys Sheet"), one of the first newspapers of the Bark. The images resulting from this technique are called "Luciograms", or just "Lucios". The "luciographic apparatus", or "firefly box" is called «luciograph».
- Luciogram or just Lucio : name;by the images resulting from luciographical techniques, invented by Paera Ama Din Covee in 2525 AJ. Luciogram are made exclusively from Atys' organic materials, in an environmentally friendly and "magic-free" way.
- Luciograph : name; the device used to make lucios (luciograms).
- Luciographer : name; a Luciograph operator.
- Luciographic, Luciographical : adjective"; related to Luciography.
Images of Atys - "From engraving to luciogram"
by Paera Ama Din Covee, in "La nouvelle feuille d'Atys", Quarta, Harvestor 16, 3e CA 2525
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For a long time, engraving was the only technique used to reproduce images of great realism and finesse. Many of these engravings, patiently hand-coloured, illustrate the columns of this journal. But engraving remains an art that takes time and is not adapted to capture the beauty of the moment. It was while contemplating the fleeting colours of a sunset on the waters of Fairhaven that I came up with the idea of the luciogram.When I was a child, the old Ama, the eldest of my clan, when she was sorting seeds or carding the anete, used to keep us kids busy with a big box of motega. We locked ourselves inside and tirelessly observed the images that a thin ray of sunlight, which penetrated through a small hole drilled in one side of the trunk, was drawing on the bottom.
It is this image of the past that came to mind as I watched the golds and purples of sunset dilute in the waters of the lake, wondering how to lock this image in the trunk so I could look at it again and again.
Atys' craftsmen and more particularly the dyers, all know that sunlight can alter and modify the colours of their dyes. Thus, the blue color so difficult to obtain but so beautiful and bright is at the origin, only a greenish bath not very engaging and it is necessary that the rays of the sun caress the dyed clothing so that this color is revealed. Similarly, all prospectors would have noticed that a vein of sap from silverweed left in the air and in the light quickly took on a dull and dark hue. One autumn day, I saw the perfect design of a bamboo leaf that the wind had driven away on a puddle of sap bathed in sunlight, printed in the smallest detail of its veins and serrations, then gradually faded away.
I have carried out many tests, often unsuccessful or which have only allowed me to obtain vague, blurred and ephemeral shapes. I used the wood, the bark, the amber that my pickaxe allowed me to obtain in abundance. In vain. So I turned to our hunters and managed to get good wing samples from kizoar. Under the horny elytra, we find the wing itself, excellent for its padding parry properties, but whose interest for me was mainly in its transparency and hardness after drying.
On a plate cut out of the wing of kizoar, I spread a mixture of Izam egg white and glue resin, then I plunge it into a silverweed bath. The mixture of egg white and resin allows the sap to adhere to the transparent wing. Once the excess sap has been washed and the plate dried, it can be used to fix an image. Placed at the bottom of a kachine box (lighter and easier to handle than the heavy motega of my childhood), the plate is exposed to light via an orifice that can be closed at its convenience. After a few minutes, the perfect image was printed on the sap. Several baths of warm silverweed with other saps and a little kitin ichor allow it to be revealed and fixed.
One of my first attempts with this technique allowed me to obtain this very beautiful image of the embassy building in Fairhaven, taken from Lower Chamber Avenue:
one of the first Luciograms (2525 AJ, the oldest currently preserved)So I had managed to capture and preserve the image. So I tackled the problem of colour. For a while, I took over the engravers' techniques and coloured my images by hand. But what I knew about tints and pigments properties made me think that there had to be a way to capture the colours' beauty as well. It was simply a matter of finding a way to insert the pigments into the light-sensitive layer of the kizoar wing fragment. A mixture of stinga root slurry and pigments arranged in several monochrome layers proved to be the most reliable and luminous process. Silverweed sap exposed to light reacts more or less strongly, in the process described above this made it possible to obtain grayscales. With this new system, the sap layer fixed by the egg and resin allows, more or less, light to pass through to the red-, blue-, yellow- and green-colored layers of stinga root . The result accurately reflects the external colours, provided that the pigmented layers have been carefully prepared.
The same embassy building, as seen from the balcony of the Council Chamber, obtained by this process.
But all this could only work in the light of the sun, and even when it shines brightly. Also, inspired by trycker street lighting, which exploits the natural and so warm luminosity of the fireflies, abundant on our land, I developed a new shape of my camera to capture images and colours, which I called luciograph or firefly box[1]. Fireflies enclosed in a special compartment of the kachine box can be discovered in order to project their light onto the subject whose image is to be captured. Their brightness and warm hues give these luciograms, as I call these new images, a special tone that drove me to use this system even in bright daylight.
The first nocturnal luciogram: the totem pole of Lakenisle.
Paera Ama Din Covee, in "La nouvelle feuille d'Atys", Quarta, Harvestor 16, 3e CA 2525
Notes
- ↑ Firefly is Luciole in French
- Luciole etymology: Comes from Latin "Lux, lucis" : Light
- The above text comes directly from the site: http://www.lanouvellefeuille.info, currently closed. It is still archived, but for how long? Writing down, the explanations here seems important to me, for the knowledge preservation. Paera
- Web archive: https://web.archive.org/web/20070221065745/http://www.lanouvellefeuille.info/article.php?id_article=184 ; November 12, 2004
- Web archive: https://web.archive.org/web/20070221065745/http://www.lanouvellefeuille.info/article.php?id_article=184 ; November 12, 2004
Ryzom - Ризом: Лор • Игра OOC
Атис: Мир Атиса • Флора • Фауна
Нации: Файросы • Матисы • Трайкеры • Зораи
Фракции: Ками • Караван • Мародеры • Рейнджеры • Тритонисты
Энциклопедия: Хроники Атиса • Великая Библиотека • Мистерии OOC
Дополнительные примечания и отображаемых на волю
The first episode of the Ryzom Saga takes place on the living planet Атис, on the borders of the universe, where four civilizations try to heal the wounds of an apocalyptic tragedy.
Three generations ago, the great civilizations of Atys perished during the Великий Рой under the attack of the hordes of Китин, sweeping the underground galleries and marking the beginning of war and then genocide. Much knowledge was lost during this leak, but now is the time to appropriate your inheritance again !
Join the forces with thousands of other homins, masters of art of magic, war, craft and digging to build your people's destiny again!
Задачи
"The wealth of Ryzom resides in what the players and those who love it can bring to it. For this to happen, we must give them the means and opportunity."
This sentence sums up by itself the essence of the project : to expand the Power to Players beyond the single Role-play and finally give the Ryzom community means to act on the game itself.
Архивы/категории
Примечания
Ryzom is a massively multiplayer online role-playing game (MMORPG) developed by the independent French studio Nevrax. The game launched in September 2004 under the name The Saga of Ryzom and received little attention at the time. In August 2006, the name was simplified to Ryzom for marketing purposes. Ryzom is labeled as Science-Fantasy by the creators due to storyline elements that are typically found in both science fiction and fantasy genres. The game's engine, NeL, was created by Nevrax and licensed under the GPL. NeL is currently open source and allows anyone to add to it.
The game earned the Best Story award at MMORPG.COM's 2005 Reader's Choice Awards. Allowing players complete control over everything they do is something not many Online games can quote. Players are not trapped in the "one class only" situation that most MMO's nowadays place them in. Ryzom gives the player the option to learn every single skill in the game, or concentrate on whichever they prefer, for as long as you want; or indeed to what depth you prefer.
Recently Which Gate, the current owners, made a Feedback feedback site. The feedback site is proving incredibly useful, giving players the power to choose what they like and dislike and what should get higher priority in being implemented. Winch Gate is showing that with a little time and focus, much can be achieved. Indeed since the departure of Game Forge France, the game has gone from strength to strength, utilising the feedback from players, and the consistant help from the CS Departments.
Now, you can join us!
